Movie Title : Love Exposure
Release Date : Sep 2, 2011 Limited Genre Movie :Art House & International,Drama
Mpaa Rating : Unrated
Actors :Takahiro Nishijima,Hikari Mitsushima,Sakura Ando,Makiko Watanabe,Atsurô Watabe,Keisuke Horibe,Hiroyuki Onoue,Mami Nakamura,Yutaka Shimizu,Yûko Genkaku,Itsuji Itao,Mitsuru Kuramoto,Shinji Miyadai,Nana Nagao,Koji Ohguchi,Jai West,Mitsuru Fukikoshi,Motomi FukamiTokyo teen Yu Honda (Takahiro Nishijima) is the traumatized son of a widower-cum-Catholic priest (Atsuro Watabe), who begins a sexual liaison with parishioner Kaori (Makiko Watanabe). When Dad's affair comes to a halt, he begins admonishing his son to confess to so many sins that the 17-year-old takes up new ones to appease his father's increased religious zeal. One "sin" - surreptitiously taking candid photographs of panties worn by female pedestrians - becomes a vocation. Unfortunately, a deal with a porn company comes undone when Yu turns down starring roles, because he admits he's saving himself for a Virgin Mary-like ideal woman. On cue, the narrative introduces feisty schoolgirl Yoko (Hikari Mitsushima), who loathes men and enjoys beating them up for their moronic attitudes... -- (C) Third Window Films
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Exhibiting astonishing dexterity, Mr. Sono shapes all this trauma into a narrative that's completely coherent and surprisingly touching, never more so than in Yu's struggle toward sexual maturity.
Jeannette Catsoulis-New York Times It's a campy rampage that runs a few minutes shy of four hours, dooming what otherwise would likely be a bright future as a midnight movie.
Mark Jenkins-NPR As the old cliche goes, you will not have another moviegoing experience quite like this one all year.
David Lewis-San Francisco Chronicle Love Exposure plays like a marathon greatest-hits-and-misses mixtape. If you see only one Sono film, check out this flick; you will have then seen them all.
David Fear-Time Out New York Would the film be easier to take in a more condensed form? Of course it would, but then it wouldn't be the singularly overwhelming oddity that it is.
Mark Olsen-Los Angeles Times A swooning, often riotously funny melodrama charged with a refreshingly perverse undertow.
David Jenkins-Time Out Clocking in at 237 minutes, Sino's film possesses a rambling, free-associative structure.
Chris Chang-Film Comment Magazine Manga-indebted but without lens trickery, this is exhilarating cinema experience.
Donald J. Levit-ReelTalk Movie Reviews This four-hour opus about the fury of love and the love of fury is ritually fascinating, often excessive and, with a caution the film wields like a blade, achingly poignant.
Sara Maria Vizcarrondo-Boxoffice Magazine The more you can let this amazing, unbelievable film overwhelm you, the better.
Jeffrey M. Anderson-Combustible Celluloid Love Exposure is, in a sense, Shion Sono's equivalent of the Great Russian novel.
Simon Abrams-Slant Magazine It's different, but it's exhausting. Without ever being funny, it keeps up a strident, cartoonish tone for all of its four hours.
Edward Porter-Sunday Times (UK) A strange, deftly scripted brew, alternately involving and distancing, and often very funny.
Philip French-Observer [UK] A colourful four-hour rom-com that feels both small and intimate. And it's never dull for a second.
Rich Cline-Shadows on the Wall Complicated and long but deftly handled adventure/caper/satire that ends up being thoroughly entertaining.
Philip De Semlyen-Empire Magazine Ambitious, inventive and endlessly arresting, Sion Sono's epic romance is a vibrant rite of passage, guiding us through a world of repression, hypocrisy and delusion towards true love.
Anton Bitel-Film4 Curious and tasteless, but never dull.
Wendy Ide-Times [UK] Deeply strange and politically incorrect, baffling, and often funny.
Peter Bradshaw-Guardian [UK] It's as mad as a box of frogs, but a strain of melancholy romance adds emotional backbone to the gags, gore and kung fu.
Carmen Grey-Total Film A graphic mixture of violence, heartache, sex and kung fu, Love Exposure is not for all tastes but there are wonderful moments.
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